Reviewing the situation

Reviewing recent works in progress/abandoned silverpoint drawings in my workspace/studio in MargateIf I could make money from the amount of time and I spend (waste?) working on things that never get to be finished works of art I would be a very, very, rich man.

I tell myself that all the effort will bare fruit in the fullness of time and that all the time and effort is an investment in works of art yet to come.  Somehow or other, in spite of my doubts, I seem to keep the faith and keep on working away at my ideas and drawings.  I couldn’t tell you why.

I’ve dug these silverpoint drawings out of their drawer to look at them and see if looking at them will suggests a possible next move.  I’m showing them here because otherwise they might never be seen or become finished works of art.  These are not finished drawings but they each have their moments: subtle things that suggests possible next moves.

I don’t know.  These drawing are resting.

‘Margate Imperialists 1930s’

margate imperiasts 1930s

Margate Imperialists 1930s, 2017, silver on gesso on board, 21cm x 30cm.

Work on this drawing has come to an end.  I could carry on working on it but I shan’t.

The drawing is based on a small photographic image on a postcard taken somewhere in Margate in the 1930s.  My guess is that the people here were dressed for an Empire Day event.  This is one of a number of drawings based on the same image.  It is one of a series of drawings based on images of people dressed in costumes of some sort and with a Margate connection.

 

Drawings in progress

on margate sands...

In a Margate junk shop I can connect anything with anything.

A lot of my work draws on people and things connected with Margate.  A recurring theme is the way in which the slightest things in life, and the humblest objects that exist, can be linked to, and imply the presence of, the world’s biggest events.

Here is a picture of some works in progress captured in a moment of a Margate sunset light.  These silverpoint drawings are based on found photographs taken in Germany in the 1930s.  Somehow they made their way into a secondhand shop in Cliftonville in 2017.  And from there they came into my hands.

There was a point in time when a momentary look was captured in the instant of a photographic image.  Now, here, l am taking time to look at those traces of those moments in those people’s lives and drawing – I could almost say conjuring – something out of them.  We’ll see what comes of it.

I shall post more about this work as it develops further.

You can see earlier images of this work on Instagram.

Drawing recently on show at the National Portrait Gallery in London (The Portrait Gala 2017)

National Portrait Gallery, Portrait Gala 2017, Mystery Portrait Postcard, silverpoint drawing, ROY EASTLAND

This drawing (silverpoint on gesso on board) was recently on show at The National Portrait Gallery, in London, in an exhibition which included about a hundred A5 size portraits donated by mystery artists.  The work was for sale as part of the 2017 Portrait Gala event and The Mystery Portrait Postcard exhibition.  The gala event and exhibition were part of a fund raising event to raise money for the gallery.  The exhibition lasted for about three weeks but the names of the artists were kept a secret until just last week.  I’m now allowed to say that this one was mine.

The drawing is based on a photo booth image of my mum which was probably used for a bus pass.  It’s one of an on going series of drawings based on photo booth images.  Photobooth images capture little, unimportant, moments of a person’s life.

Scroll down this home page or click on the ‘people’ category to find examples of related works.

Teaching Life Drawing at the Margate Adult Education Centre, Hawley Square, and at The Sidney Cooper Gallery in Canterbury.

You can book a place on the Margate Adult Education Centre Life Drawing courses via the Kent Adult Education website here: https://www.kentadulteducation.co.uk/brands/mnid_123/Mr-Roy-James-Eastland.aspx   and you can book places on for the Sidney Cooper Gallery courses by going to their website.

Drawings like little poems

botany-bay-chalk-stack-before-sun-rise-2016-5x6-5cm

Drawings can be like little poems; they can stand alone as intensely troubled-over, individual, works of art in their own right.

This tiny drawing is of a chalk stack at Botany Bay near to where I live.  The piece is about 5cm by 6.5cm in size and it is drawn with silver on gesso on card.  I might make a series of drawings of this stone.  We’ll see.  This work stands on its own but it shares themes in common with lots of my work: presence and the passing of time.

The tides and the weather are slowly eroding this chalk stack away to nothing.  In time it will no longer figure in anyone’s line of sight.  This familiar (familiar to me at least) feature on the high tide line makes me think about time and about change over the course of time – it can stand for that.

 

Another resting drawing

margate-people-postcard-1930s-silverpoint-drawing

This drawing is resting.  I stopped work on it a couple of months ago.  I might continue to work on it sometime in the future but for now it’s resting in a drawer.

The medium is silverpoint on gesso (click on ‘silverpoint’ on the list of categories to read about the medium) and it’s about the size of a sheet of A4 paper.  It’s based on a postcard, probably from the mid 1930s, of people dressed in fancy dress somewhere in Margate.  This drawing was to form part of a series of drawings based on images of people, with a Margate connection, dressed in costumes of some sort.  The idea was to have the drawings shown together and to allow people to make connections between the people in the different drawings and to bigger world events (the images I have in mind are from before or during The Second World War). It’s also to think about identity and what we imagine about others  based on the way they look.  I’ve worked on several versions of this image (and on sections of it) but for now the work is resting.  It might be years before work in this begins again.