My work selected for the Trinity Buoy Wharf Drawing Prize 2018

‘Displaced Portrait no:3 (young woman in carefully repaired image), silverpoint, 21×14.5cm.

 

 

 

 

 

 

 

 

My silverpoint drawing has been selected for the Trinity Buoy Wharf Drawing Prize 2018 and I’m very pleased about that!

The Trinity Buoy Wharf Drawing Prize is the new incarnation of what was The Jerwood Drawing Prize. It’s the main, yearly, Contemporary Drawing exhibition and I see it as a kind annual survey of Contemporary Drawing practice in the UK. It is always worth seeing.

My drawing which has been selected is one of a growing body of work which ‘resurrects’ unknown people (unknown to me at least) from found photographs which were  taken in Germany in the 1930s and 1940s. All of the original images were found in a junk shop in Margate. I came across them all at different times and most of them seem to have been taken in different German towns.

‘Displaced Portrait no: 3 (young woman in carefully repaired image)’ is based on a photograph which had been torn in two and then very carefully glued back together again. This woman now has a kind of afterlife as an art object. What can we tell about a person from the way they appear to us? The fact that the photograph was damaged and then carefully repaired is intriguing.

My drawings are based on photographs but they are not simply copies of them. Details have been altered, tones have been modified, and each has been repeated scratched-away and redrawn and worked on over long periods of time to get to something which feels real to me.

I’m not quite sure what it is I am attempting to do with these drawings. I sort of know but I can’t really say beyond that it has something to do with our experience of time and of human presence.

I like to think of my drawings as moments of connection between moments in time. Drawings take time. Hand-drawn lines are traces of presence and of time, and of a mind engaged in the act of looking and thinking. Perhaps in drawing these people I am drawing ghosts.

The selectors for the Trinity Buoy Wharf Drawing Prize 2018 are the artist Nigel Hall RA, the art dealer Megan Piper and Chris Stephens, Director of the Holburne Museum in Bath.

The exhibition will open in September in London and will tour various galleries across the country for the best part of a year. Look out for it later in the year.

I presently have a solo exhibtion at the Young Gallery, Salisbury, which runs alongside the 20th century British figurative artists exhibition, curated by Peter Riley from the Arts Council Collection.

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People being still somewhere.

Silverpoint drawings of people photographed in Germany in the 1940s (work in progress).

I’ll be having an exhibition at The Young Gallery, Salisbury, from 9th June until the 25th August. My work will be displayed in two very large display cabinets alongside an exhibition of paintings by British 20th figurative artists which will include works by Michael Andrews, Frank Auerbach, Patrick Caulfield, Lucian Freud, Howard Hodgkin, Ken Kiff, Leon Kossoff, Euan Uglow, David Hockney and Francis Bacon. My work will augment the main exhibition but will be, in effect, a small solo show.

As the deadline for hanging the work draws closer I have to make some decisions regarding what I’d like to show and why. At the moment I’m thinking along the lines of showing a number of sketchbooks, some framed silverpoint drawings and some recent unframed silverpoint drawings.
The image for this blog post is of three of these recent pieces.

These works are about the size of A5 and are drawn with silver on gesso on board. They’re based on found photographs of people photographed in Germany I the 1930s and 1940s. I’ve been finding the photographs separately and at different times in a junk shop in Cliftonville, Margate. I don’t know who the people in the pictures are or how their portraits made their way to Margate. I suspect that some of the people might have known each other. I can’t possibly know this for certain but I think it’s quite likely that some of the photographs came to the shop as part of a bundle, or a collection.

What we can tell about someone from the way they look? If they were alive in Germany in the 1930s and 1940s they would have had direct experience of life during the Nazi era of German history. How does knowing that my drawings are of German people living in that period of time affect our thoughts about what kinds of people they were? What became of them?

My drawings of these people are not simply copies of photographs but I have tried to be loyal to what I can make of their images. Perhaps I’m saying: “Here are people being still somewhere”. They were present in the moment captured by the camera image, and by drawing them I make them present as works of art, here and now. They are connected with Margate (my home town) by the fact that their images were found in Margate, but I wonder if there are other connections too. Who knows?

These drawings aren’t finished.

Folkestone air raid memorial

“They looked like silver birds. The sun was shining on them…” is my 2011-2012 drawing about the people who were killed by a bomb which exploded in Tontine Street, Folkestone, during the air raid of 25th May 1917.  This work was recently on display in Folkestone at a memorial event for the one hundredth anniversary of the air raid.

The 25th May 2017 was the first time it had been on show in Folkestone (this meant a lot to me and it nearly didn’t happen). Previously it had been included in the 2013 Jerwood Drawing Prize and was exhibited in various galleries around the country in 2013 and 2014 including galleries in London (Jerwood Space), Newcastle (Hatton Gallery), Plymouth (Plymouth Art College / Plymouth Arts Centre) and Canterbury (Sidney Cooper Gallery).  It has also been seen in exhibitions in my home town, Margate, and once again at the Sidney Cooper Gallery as part of an exhibition focusing on art and poetry about The First World War called ‘Remembering: we forget’.

Up until now this work has be seen in art galleries.  The typical ‘white cube’ style art gallery space allows the viewer to see the work in ideal conditions without other visual distractions.  It’s easier to notice the subtleties in a work of art when there is only the work of art in your line of sight.

On Thursday 25th May 2017 it was displayed in The Folkestone Methodist Church, in Sandgate Road, propped up by a couple of cushions on a table by the entrance in a narrow space between the backs of chairs and the wall beneath a bright fabric mural.  The light reflecting on it from a high, long, window made it hard to see.  If this had been an art gallery setting I wouldn’t have been happy, but on this particular day and in this particular place the important thing about its presentation was that it was sitting there in Folkestone and it was being looked at by people in Folkestone (some of whom were relatives of people in my drawing).

The event was organised by Margaret Care, a descendant of one of the people who died as a result of the Tontine Street bomb, and Martin Easdown, a local historian who has done research into and has written about the air raid and who’s book, A Glint in the Sky, was a key source of information about the air raid in the early stages of my work.

The day included an exhibition, a memorial service, an unveiling of a new memorial plaque and a walking tour.  It was a labour of love for them.  Margaret’s family have been placing flowers to remember the victims every year since 1918.  Until now the only memorial to the people who were killed in the air raid has been a modest plaque at the site of the Tontine Street explosion, next to the Brewery Tap pub (which is now a art venue for the UCA within Folkestone’s Creative Quarter).

The people who came were a mix of relatives of people who had been killed in the air raid, curious local people, local historians, people from local media, people working on Radio Four’s, ‘Home Front’ drama series (which is set in Folkestone during the First World War) and local dignitaries.  There was a constant supply of cups of tea (which is always a good thing) and I had conversations with relatives of people who had died in the air raid and I met people I had previously only corresponded with via emails, and I’m sure I missed out on conversations too.

“They looked like silver birds. The sun was shining on them…” is part of an ongoing body of work connected with the 1917 air raid.  People who’s relatives were caught up in the air raid had contacted me, after seeing my work in exhibitions or via the internet, and they have shared their family-stories, and their fragments of stories and little, human, details which I might one day put into future work.  I have information now which I didn’t have at the time of working on this drawing; part of me feels a pull towards making new work, while another part of me wants to leave it alone now (it can be hard to focus on such a sad thing for long periods of time).

Time will tell if I work on this further but I have a feeling that this isn’t the end of the story.

 

And another thing: those of you who listen to BBC Radio Four might be aware of the drama series ‘Home Front’. The series is set in Folkestone during the First World War and you might find the 25th May Afternoon Play, ‘A Lightening’, interesting (you can find it on BBC Radio Four iPlayer).  This Thursday 8th May, the editor of the series, Jessica Dromgoole, will be giving a talk about the series at the beautiful, and very, very old, St Mary’s and St Eanswythe’s Church in Folkestone.  Go to it after you’ve voted.

…and please do vote!

The Great Folkestone Air Raid 100th anniversary.

The Great Folkestone Air Raid 25th May1917

A memorial event for victims of The Great Folkestone Air Raid of 25th May 1917 will take place in Folkestone next week.

My drawing, “They looked like silver birds. The sun was shining on them… ”, will be on display as part of this event which will also include a small exhibition, a memorial service, an unveiling of a memorial plaque and a walking tour.  The event has been organised by local historian, Martin Easdown, and a descendant of one of the victims, Margaret Care.  This has been a labour of love for both of them.  I’m looking forward to having my work seen in Folkestone at last (it has been shown in various galleries all over the country but never in Folkestone until now).

My drawing will be on show at The Folkestone Methodist Church on Sandgate Road (CT20 2DA) from 2pm until 5pm.  I’ll be there and so please come along and say hello if you can make it over to Folkestone.  Martin has written a book about the air raid which will be on sale there too.

If you’re someone who listens to BBC Radio 4 while you work (or whatever you do during the day) you might want to listen to the Afternoon Play that day.   ‘Home Front: A lightening’ will be broadcast at 2.15pm (and also on BBC iPlayer Radio) and is all about the 25th May 1917 air raid.

For more information about the memorial event go to: http://www.leshaigh.co.uk/folkestone/tontinememorialservice.html

For more information about my art work go to my previous posts on this blog (click on ‘Folkestone’ on the list of categories) or/and go to my other social media places listed here below:

Twitter: https://twitter.com/royeastlanddraw

Blog: https://www.a-n.co.uk/blogs/i-draw

Facebook: https://www.facebook.com/Roy-Eastland-1495390357351370/

Instagram: https://www.instagram.com/royeastland/

Hopefully see some of you in Folkestone next week!

ps, There happens to be an excellent, and long established, secondhand bookshop (Marrin’s Bookshop) right next door to the Sandgate Road Methodist Church – it’s well worth a look around there as well!

25th May 1917 Folkestone Air Raid

 

folkestone air raid 1917 Roy Eastland

 

folkestone air raid 1917

folkestone air raid 1917 Tontine Street bomb victims

folkestone air raid 1917 tontine street

folkestone air raid 1917  25th May 1917

 

 

 

 

 

 

 

At about twenty past six on the evening of 25th May 1917, a bomb was dropped from a German, Gotha, bomber which exploded in the midst of a queue of people waiting outside of Stokes’ greengrocers in Tontine Street, Folkestone.  Scores of people were killed and injured.  It’s a very sad story but I want people to know about it partly because it is such a sad story and partly because this story is similar to all those stories we hear all of the time about people caught up in bomb explosions.  This story can stand for many, similar, stories.

Here are some images of a piece I made a few years ago.  I continue to work on this project as time and money allow.  My earliest exhibited work on this subject was shown as part of a solo show I had at Margate’s Marine Studios in 2011.  It consisted of an entire wall covered with A5 pencil drawings and text about the people caught up in the various bomb explosions across Folkestone on that day.  This led on to another piece called: “They looked like silver birds.  The sun was shining on them…” (the title is a quote from an eye witness account referring to the sight of the German bombers high up in the evening sunlight).  This is a framed work consisting of small silverpoint portraits and handwritten text on gesso boards.  It has been exhibited in a number of places including: a gallery space on Margate pier (this was an off-shoot to the ‘Telling Stories: Hastings’, at the Hastings Museum and Art Gallery, curated by Cathryn Kemp); The Jerwood Drawing Prize 2013 (shown at The Jerwood Art Space, London, and at various galleries across the country); East Kent Open Artists Open Houses (part of the Canterbury Festival); ‘Remembering: We Forget’ (The Sidney Cooper Gallery, Canterbury) and ‘Memory’ (The Pie Factory, Margate).  I’ve had a lot of interesting feedback from people who have seen the work at these exhibitions and I’ve also been contacted be a couple of people who have family stories connected with the event.  I dearly hope to include these stories in future work.  I hope I’ve made a respectful work of art.

I have a lot to say about this work and I’ve written more about it on previous blog posts (click on ‘Folkestone’ on the list of ‘categories’ to find earlier posts).

Click on the images for a better view of them.

Roy Eastland’s memorial to the Tontine Street bombing

Here is a blog post about the ‘Remembering, We Forget: Poets, Artists and the First World War’ exhibition at the Sidney Cooper Gallery, Canterbury, from last year. I didn’t post about this exhibition at the time because my laptop wasn’t letting me update this blog at the time. Just now, as I was sorting through old posts and pages, I came across it again and thought it might be of interest to some people out there.

The work referred to here is work I’ve been doing about the victims of the Tontine Street bomb explosion from ‘The Great Folkestone Air Raid’ of 25th May 1917. Andrew Palmer Lectures in Modern Literature at Canterbury Christ Church University and he specialises in poetry of the First World War.

To read his article, CLICK ON: ‘View original post’ (it’s at the bottom of this section of Andrew Palmer’s post). You can also click on ‘Folkestone’ in the list of ‘categories’ to find more about this work.

Sardonic Rat

Whole work

On 25 May, 1917, a German Gotha dropped a bomb over Folkestone. It exploded amongst a crowd of people queuing outside the Stokes Brothers’ greengrocer in Tontine Street. 71 people were killed, most of them instantly. Some died later of their wounds. This horrific event is commemorated in Roy Eastland’s work, ‘They looked like silver birds. The sun was shining on them…’, which is part of the exhibition Remembering, We Forget, at the Sidney Cooper Gallery until December 17.

The work takes its title from statements made by eye-witnesses – tragic in their naivety. It is made up of a series of 68 small panels, each one dedicated to a single victim, containing handwritten information and sometimes images, taken from newspaper reports and the remembrances of those who knew them. Eastland draws in silverpoint – that is, he scratches the word and faces onto boards prepared with gesso, a…

View original post 221 more words

Arromanches drawings (2006-2009)

mulberry 2007-2009 NORMANDY

Here are some drawings from a series about Arromanches (a seaside town in Normandy which was the location of the Mulberry Harbour following on from the D-Day landings).

I worked on these small, mixed media (graphite, emulsion, ink and varnish), drawings between about 2006 and 2009. Their starting point was my memories of my dad’s memories of D-Day and of the Mulberry Harbour, at Arromanches, and about a few photographs and post cards of the town that he brought back with him as souvenirs.

One of the photographs was of a rough sea hitting the seafront (I presume this photograph was taken before the war) and this became a repeated point of reference for a number of drawings (I remember being told about the storm that wrecked the Mulberry harbour). The have been repeatedly re-worked and include writing as well as images.

‘Mulberry’, for example, is based on a postcard view of the town and the sea but my version includes my hand-written notes which locate various remembered details of events (memories of memories). As with a lot of my other work, this drawing was worked on over a long period of time and at some points in the process the words were more visible and at other times the image was the focus of the piece.

‘East Kent Daily Time Slip’ (scroll down the home page to find an image of it) is one of the drawings that were based on the view of a wave hitting the seafront. The title comes from my memory of my dad using East Kent Bus Company ‘time slips’ to make simple, schematic, drawings of things as he explained events and views. ‘East Kent Daily Time Slip’ was also the title of my solo exhibition at Marine Studios in Margate.

Various drawings from this body of work have been shown at various venues including: Marine Studios (Margate), Beaux Arts (Bath), Millennium (St Ives) and The Hastings Museum and Art Gallery.     

Arromanches storm (1) (graphite, ink, emulsion and varnish on card. 4.5 x 5.5 cm)