Margate Imperialists 1930s, 2017, silver on gesso on board, 21cm x 30cm.
Work on this drawing has come to an end. I could carry on working on it but I shan’t.
The drawing is based on a small photographic image on a postcard taken somewhere in Margate in the 1930s. My guess is that the people here were dressed for an Empire Day event. This is one of a number of drawings based on the same image. It is one of a series of drawings based on images of people dressed in costumes of some sort and with a Margate connection.
In a Margate junk shop I can connect anything with anything.
A lot of my work draws on people and things connected with Margate. A recurring theme is the way in which the slightest things in life, and the humblest objects that exist, can be linked to, and imply the presence of, the world’s biggest events.
Here is a picture of some works in progress captured in a moment of a Margate sunset light. These silverpoint drawings are based on found photographs taken in Germany in the 1930s. Somehow they made their way into a secondhand shop in Cliftonville in 2017. And from there they came into my hands.
There was a point in time when a momentary look was captured in the instant of a photographic image. Now, here, l am taking time to look at those traces of those moments in those people’s lives and drawing – I could almost say conjuring – something out of them. We’ll see what comes of it.
I shall post more about this work as it develops further.
You can see earlier images of this work on Instagram.
This drawing is resting. I stopped work on it a couple of months ago. I might continue to work on it sometime in the future but for now it’s resting in a drawer.
The medium is silverpoint on gesso (click on ‘silverpoint’ on the list of categories to read about the medium) and it’s about the size of a sheet of A4 paper. It’s based on a postcard, probably from the mid 1930s, of people dressed in fancy dress somewhere in Margate. This drawing was to form part of a series of drawings based on images of people, with a Margate connection, dressed in costumes of some sort. The idea was to have the drawings shown together and to allow people to make connections between the people in the different drawings and to bigger world events (the images I have in mind are from before or during The Second World War). It’s also to think about identity and what we imagine about others based on the way they look. I’ve worked on several versions of this image (and on sections of it) but for now the work is resting. It might be years before work in this begins again.