Margate Imperialists, 1930s

This silverpoint drawing is presently on show in St Ives, Cornwall, as part of Anima-Mundi’s ‘Mixed Winter 17’ exhibition. It’s a drawing about people and about a moment in time in Margate (a seaside town in the south east of England).

Margate Imperialists, 1930s Roy Eastland metalpoint drawing

The drawing is about the size of an A1 sheet of paper but it’s drawn with silver on thick layers of gesso on board (silverpoint). The work is based on a small postcard image found at an antique fair. Here we see a group of mostly young adults, and a few children, dressed in a variety of fancy dress costumes depicting a mix of social and ethnic ‘types’. There is ‘A Margate Landlady’, a ‘Red Indian’, men dressed as women, people ‘blacked up’, various ‘foreigners’ and even someone dressed-up as a member of the Klu Klux Klan (make of those details what you will). The presence of ‘Britannia’, in the centre of the group, makes me think they are at an Empire Day event.

Margate Imperialists, 1930s Roy Eastland silverpoint

This is a drawing about people and about a place and a moment in time. It might bring to mind thoughts around identity, self-expression, ‘otherness’ and about taste. These people look thrilled to be in costume and playing with identities. A few years later came The War. Their choices of costume bring into focus thoughts about British Imperialism and about attitudes to class and to foreigners and so forth. This drawing is also about a group of people expressing themselves and about people looking happy in each other’s company and they looking towards us.

The act of drawing someone’s image is a kind of meditation of their presence beyond their appearance. More accurately it’s a meditation on what I imagine is their personality as given to me via a small photographic image. It’s a drawing and I’m glad it’s being seen in St Ives right now.


Another resting drawing


This drawing is resting.  I stopped work on it a couple of months ago.  I might continue to work on it sometime in the future but for now it’s resting in a drawer.

The medium is silverpoint on gesso (click on ‘silverpoint’ on the list of categories to read about the medium) and it’s about the size of a sheet of A4 paper.  It’s based on a postcard, probably from the mid 1930s, of people dressed in fancy dress somewhere in Margate.  This drawing was to form part of a series of drawings based on images of people, with a Margate connection, dressed in costumes of some sort.  The idea was to have the drawings shown together and to allow people to make connections between the people in the different drawings and to bigger world events (the images I have in mind are from before or during The Second World War). It’s also to think about identity and what we imagine about others  based on the way they look.  I’ve worked on several versions of this image (and on sections of it) but for now the work is resting.  It might be years before work in this begins again.