Here are a few pictures of the private view at the Royal Drawing School of the Trinity Buoy Wharf Drawing Prize exhibition. The exhibition has been at its present venue since the start of February but the private view was just last week. I’m glad I went to the private view and it was great to meet artists whose work I admire and who I’d only ever ‘met’ through the medium of say twitter or Instagram until now.
My piece in this show is a small silverpoint drawing which is one of an ongoing series of drawings called: ‘Displaced Portraits’. The drawings are of people seen in photographs taken in Germany in the 1930s and 1940s and found in a Margate second hand shop at different times. ‘Displaced Portrait no:3 (woman in carefully repaired image)’ is drawn from a photograph which had been torn in two and then so carefully repaired that you can’t see the damage at first glance.
The drawing is based on the photograph but it isn’t a straight forward copy. The piece has been repeatedly drawn, scratched-away and redrawn. These drawings are worked on over long periods of time and the process, of loss and re-finding, is unpredictable. The recurring focus is always the person I am trying to draw out of their snapshot image. There is no way of ever really knowing if I’m getting close but I hope the people I am trying to draw would see themselves in my drawings.
Drawing is always a medium trace. At it’s most fundamental level, a drawing is a surface with a mark on it indicating the passing presence of an though; it always says ‘someone was here’. The drawings are of people displaced from their place and moment. An image of their moment has found its way into my hands here in Margate in the early 21st century. Everything which lasts eventually becomes displaced.
Metalpoint drawings emphasise the quality of trace in the most beautiful way. A silverpoint line is the mark left when the metal is dragged across a prepared surface (imagine a key being dragged across an emulsion-painted wall and you get the rough idea). The mark is extremely subtle but it is also indelible. Silverpoint lines are extremely gentle mark; the line is not made any more emphatic by pressing harder and you are forced to work with the medium with its unique limitations and qualities. Drawing with metalpoint is an appropriate medium for my interest in making Art about memory and presence.
The exhibition continues at the Royal Drawing School until 21st February and then moves on to Drawing Projects in Trowbridge, near Salisbury.
See my post from 23rd August 2018 for a full view of my drawing.