Reviewing the situation

If I could make money from the amount of time and I spend (waste?) working on things that never get to be finished works of art I would be a very, very, rich man.

I tell myself that all the effort will bare fruit in the fullness of time and that all the time and effort is an investment in works of art yet to come.  Somehow or other, in spite of my doubts, I seem to keep the faith and keep on working away at my ideas and drawings.  I couldn’t tell you why.

I’ve dug these silverpoint drawings out of their drawer to look at them and see if looking at them will suggests a possible next move.  I’m showing them here because otherwise they might never be seen or become finished works of art.  These are not finished drawings but they each have their moments: subtle things that suggests possible next moves.

I don’t know.  These drawing are resting.

‘Margate Imperialists 1930s’

Margate Imperialists 1930s, 2017, silver on gesso on board, 21cm x 30cm.

Work on this drawing has come to an end.  I could carry on working on it but I shan’t.

The drawing is based on a small photographic image on a postcard taken somewhere in Margate in the 1930s.  My guess is that the people here were dressed for an Empire Day event.  This is one of a number of drawings based on the same image.  It is one of a series of drawings based on images of people dressed in costumes of some sort and with a Margate connection.

 

Folkestone air raid memorial

“They looked like silver birds. The sun was shining on them…” is my 2011-2012 drawing about the people who were killed by a bomb which exploded in Tontine Street, Folkestone, during the air raid of 25^th May 1917.  This work was recently on display in Folkestone at a memorial event for the one hundredth anniversary of the air raid.

The 25th May 2017 was the first time it had been on show in Folkestone (this meant a lot to me and it nearly didn’t happen). Previously it had been included in the 2013 Jerwood Drawing Prize and was exhibited in various galleries around the country in 2013 and 2014 including galleries in London (Jerwood Space), Newcastle (Hatton Gallery), Plymouth (Plymouth Art College / Plymouth Arts Centre) and Canterbury (Sidney Cooper Gallery).  It has also been seen in exhibitions in my home town, Margate, and once again at the Sidney Cooper Gallery as part of an exhibition focusing on art and poetry about The First World War called ‘Remembering: we forget’.

Up until now this work has be seen in art galleries.  The typical ‘white cube’ style art gallery space allows the viewer to see the work in ideal conditions without other visual distractions.  It’s easier to notice the subtleties in a work of art when there is only the work of art in your line of sight.

On Thursday 25^th May 2017 it was displayed in The Folkestone Methodist Church, in Sandgate Road, propped up by a couple of cushions on a table by the entrance in a narrow space between the backs of chairs and the wall beneath a bright fabric mural.  The light reflecting on it from a high, long, window made it hard to see.  If this had been an art gallery setting I wouldn’t have been happy, but on this particular day and in this particular place the important thing about its presentation was that it was sitting there in Folkestone and it was being looked at by people in Folkestone (some of whom were relatives of people in my drawing).

The event was organised by Margaret Care, a descendant of one of the people who died as a result of the Tontine Street bomb, and Martin Easdown, a local historian who has done research into and has written about the air raid and who’s book, A Glint in the Sky, was a key source of information about the air raid in the early stages of my work.

The day included an exhibition, a memorial service, an unveiling of a new memorial plaque and a walking tour.  It was a labour of love for them.  Margaret’s family have been placing flowers to remember the victims every year since 1918.  Until now the only memorial to the people who were killed in the air raid has been a modest plaque at the site of the Tontine Street explosion, next to the Brewery Tap pub (which is now a art venue for the UCA within Folkestone’s Creative Quarter).

The people who came were a mix of relatives of people who had been killed in the air raid, curious local people, local historians, people from local media, people working on Radio Four’s, ‘Home Front’ drama series (which is set in Folkestone during the First World War) and local dignitaries.  There was a constant supply of cups of tea (which is always a good thing) and I had conversations with relatives of people who had died in the air raid and I met people I had previously only corresponded with via emails, and I’m sure I missed out on conversations too.

“They looked like silver birds. The sun was shining on them…” is part of an ongoing body of work connected with the 1917 air raid.  People who’s relatives were caught up in the air raid had contacted me, after seeing my work in exhibitions or via the internet, and they have shared their family-stories, and their fragments of stories and little, human, details which I might one day put into future work.  I have information now which I didn’t have at the time of working on this drawing; part of me feels a pull towards making new work, while another part of me wants to leave it alone now (it can be hard to focus on such a sad thing for long periods of time).

Time will tell if I work on this further but I have a feeling that this isn’t the end of the story.

 

And another thing: those of you who listen to BBC Radio Four might be aware of the drama series ‘Home Front’. The series is set in Folkestone during the First World War and you might find the 25th May Afternoon Play, ‘A Lightening’, interesting (you can find it on BBC Radio Four iPlayer).  This Thursday 8th May, the editor of the series, Jessica Dromgoole, will be giving a talk about the series at the beautiful, and very, very old, St Mary’s and St Eanswythe’s Church in Folkestone.  Go to it after you’ve voted.

…and please do vote!

The Great Folkestone Air Raid 100th anniversary.

A memorial event for victims of The Great Folkestone Air Raid of 25th May 1917 will take place in Folkestone next week.

My drawing, “They looked like silver birds. The sun was shining on them… ”, will be on display as part of this event which will also include a small exhibition, a memorial service, an unveiling of a memorial plaque and a walking tour.  The event has been organised by local historian, Martin Easdown, and a descendant of one of the victims, Margaret Care.  This has been a labour of love for both of them.  I’m looking forward to having my work seen in Folkestone at last (it has been shown in various galleries all over the country but never in Folkestone until now).

My drawing will be on show at The Folkestone Methodist Church on Sandgate Road (CT20 2DA) from 2pm until 5pm.  I’ll be there and so please come along and say hello if you can make it over to Folkestone.  Martin has written a book about the air raid which will be on sale there too.

If you’re someone who listens to BBC Radio 4 while you work (or whatever you do during the day) you might want to listen to the Afternoon Play that day.   ‘Home Front: A lightening’ will be broadcast at 2.15pm (and also on BBC iPlayer Radio) and is all about the 25th May 1917 air raid.

For more information about the memorial event go to: http://www.leshaigh.co.uk/folkestone/tontinememorialservice.html

For more information about my art work go to my previous posts on this blog (click on ‘Folkestone’ on the list of categories) or/and go to my other social media places listed here below:

Twitter: https://twitter.com/royeastlanddraw

Blog: https://www.a-n.co.uk/blogs/i-draw

Facebook: https://www.facebook.com/Roy-Eastland-1495390357351370/

Instagram: https://www.instagram.com/royeastland/

Hopefully see some of you in Folkestone next week!

ps, There happens to be an excellent, and long established, secondhand bookshop (Marrin’s Bookshop) right next door to the Sandgate Road Methodist Church – it’s well worth a look around there as well!

Drawings in progress

In a Margate junk shop I can connect anything with anything.

A lot of my work draws on people and things connected with Margate.  A recurring theme is the way in which the slightest things in life, and the humblest objects that exist, can be linked to, and imply the presence of, the world’s biggest events.

Here is a picture of some works in progress captured in a moment of a Margate sunset light.  These silverpoint drawings are based on found photographs taken in Germany in the 1930s.  Somehow they made their way into a secondhand shop in Cliftonville in 2017.  And from there they came into my hands.

There was a point in time when a momentary look was captured in the instant of a photographic image.  Now, here, l am taking time to look at those traces of those moments in those people’s lives and drawing – I could almost say conjuring – something out of them.  We’ll see what comes of it.

I shall post more about this work as it develops further.

You can see earlier images of this work on Instagram.

Drawing recently on show at the National Portrait Gallery in London (The Portrait Gala 2017)

This drawing (silverpoint on gesso on board) was recently on show at The National Portrait Gallery, in London, in an exhibition which included about a hundred A5 size portraits donated by mystery artists.  The work was for sale as part of the 2017 Portrait Gala event and The Mystery Portrait Postcard exhibition.  The gala event and exhibition were part of a fund raising event to raise money for the gallery.  The exhibition lasted for about three weeks but the names of the artists were kept a secret until just last week.  I’m now allowed to say that this one was mine.

The drawing is based on a photo booth image of my mum which was probably used for a bus pass.  It’s one of an on going series of drawings based on photo booth images.  Photobooth images capture little, unimportant, moments of a person’s life.

Scroll down this home page or click on the ‘people’ category to find examples of related works.

Teaching Life Drawing at the Margate Adult Education Centre, Hawley Square, and at The Sidney Cooper Gallery in Canterbury.

You can book a place on the Margate Adult Education Centre Life Drawing courses via the Kent Adult Education website here: https://www.kentadulteducation.co.uk/brands/mnid_123/Mr-Roy-James-Eastland.aspx   and you can book places on for the Sidney Cooper Gallery courses by going to their website.