I’ve had my work selected for the 2017 ING Discerning Eye Drawing Bursary and I’m very pleased about it.
I’m thrilled to be in the running for the bursary and I’m also very much looking forward to having people see my work in the flesh. Photographs and scans give an impression of what they look like but they can’t convey the subtleties of the combination of the metallic traces and the scratches on the gesso surfaces. You really need to see the drawings for real and from various distances and to be able to look at them from the side as well as from face-on. It feels good to know that they are going to be looked at.
The ING Discerning Eye Drawing Bursary exhibition will be at The Mall Galleries, London, from mid-November, alongside the larger ING Discerning Eye exhibition (my drawing, ‘Margate Imperialists, 1930s’, has been selected for that as well). The winner of the bursary will be announced at the private view on 16th November. I’m not sure how many artists are selected for the Drawing Bursary exhibition but I think it’s around half a dozen or so. It’ll be a contemporary drawing exhibition in its own right and it’s going to feel good to be part of it. Of course I hope I win the bursary money (it would make a huge difference to what I am able to achieve with my art if I were to get it) but I can’t let myself to think about that too much (fingers crossed though!).
This particular drawing (‘Photo booth portrait drawing 1’) is one of the silverpoint drawings that will be on show. It’s one of a series of silverpoint drawings based on photo booth images. These drawings are drawings of moments when a person sat alone and still for a moment and waited for the sequence of four automatically timed flash photographs to be played out. It happens to be of my mum but the same would be the case for anyone and I’d love to find some photo booth images of people I’ve never known to draw from.
The slightly mistimed ones are more interesting than the ones which were the least bad ones (they never look good do they) that become images for bus passes and such like. For some reason or other an intact sequence of three from a strip of four survive and this drawing is based on one of them.
The drawings also contain a block of repeated, hand-written, lines of text. The text is made up of remembered speech and familiar stories. The lines of words are drawn over each other and become difficult to make sense of but some repeated phrases and words come through so that the stories come to the surface as fragments of events and memories.
The block of text is also a kind of drawing in itself. The lines of words are perhaps suggestive of waves and they conjure a kind of pictorial depth but they also flatten pictorial space at too. I hope people will look closely at both the image of the face and at the words; perhaps the after-image of each will play on the other and create a sense of subtle movement (life?).
I like the idea of making art which incorporates traces of multiple moments of time in one place. But it’s really up to the viewer to see whatever they see and even though I might be conscious of putting a lot of ideas into my drawings I really don’t mind if others ‘get it’ or not: all I can do is to offer these works as objects to spend time with and to notice what comes to mind while in their company.
Anyway, if you are in London in the second half on November, have a look at the exhibition and see what you think.
The Discerning Eye Exhibition runs from the 16th until the 26th November.